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April 24, 2012 | 5:15 PM | By

Can A Party Change Perceptions Of Anacostia?

Nahal Tavangar / @NahalTav

About 1,200 people attended the fourth annual Cherry Blast party in Anacostia.

Trapeze artists hovered above a crowd. A band played electronic music as green lasers flashed through the room. Nearby, people created silk-screened T-shirts, a video installation played against the wall and the crowd tossed a large, clear plastic bubble filled with pink balloons in the air.

The annual Cherry Blast event on Saturday night was in many ways a creative, warehouse party. It pulled together all sorts of artistic and musical spectacles that attracted a racially diverse crowd of 1,200 willing to pay $10 a ticket to enter.

But this party didn’t happen in Northwest or near gentrifying H Street NE. Cherry Blast, produced by The Pink Line Project, took place in a vacant police evidence warehouse in Anacostia, and drew attendees largely from other parts of town, many of whom were young and white.

Anacostia has a rich history, but in recent years the neighborhood has developed a reputation as dangerous and poor, a perception that local activists have been battling. It’s a mostly black neighborhood that doesn’t typically attract many white people.

Cherry Blast comes on the heels of Lumen8Anacostia, a weekend of art events and pop-ups held throughout the neighborhood. These events have given people, who normally don’t trek east of the Anacostia River, a reason to visit the neighborhood. But in doing so, they’ve raised questions about race and class.

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FILED UNDER: Around the City, Culture, Anacostia, Cherry Blast, Pink Line Project, Race and Class, The Arts
February 28, 2012 | 4:07 PM | By

Photos: What Won’t You Stand For?

Want to end racism? Why not start with putting it on a T-shirt.

Until 8 p.m. today, a pop-up booth will be in Farrguat Square where people can create T-shirts with customized messages. It’s part of USA Network’s Characters Unite campaign to bring awareness to hate and discrimination.

Passersby can stamp T-shirts that read “I won’t stand for…” with a number of words, including discrimination, intolerance, homophobia, racism, sexism and hate. Some individuals, including D.C. Mayor Vincent Gray, told DCentric about what they chose to stand against. Is there anything you won’t stand for? Why?

 

FILED UNDER: Media, Class, Race, USA Networks
February 21, 2012 | 2:28 PM | By

Black History Through D.C. Murals (Photos)

From Northwest to Southeast, D.C.’s public murals help tell the story of black history. Take a look at our gallery below, showcasing some of these public artworks.

Notable figures depicted in the murals include: Carter G. Woodson, considered “the father of black history;” activist and leader Malcolm X; abolitionist and writer Frederick Douglass; and poet Langston Hughes.

Some of the murals are funded by the District government, while others are privately-commissioned. There are also a few that are quite new, while others will soon disappear due to development. The gallery presents a snapshot of D.C. murals relating to black history, so feel free to post photos of other such murals in the comments section.

FILED UNDER: Around the City, Black History, Murals, Public Art, The Arts
January 30, 2012 | 8:52 AM | By

Photos: D.C.’s Chinese New Year Parade

Thousands attended D.C.’s Chinese New Year parade on Sunday to celebrate the start of the year of the dragon. Organizers aimed to hold a bigger event this year, despite downtown seeing its Chinese American population decline.

“We know there have been a lot of changes in our city in recent years,” Mayor Vincent Gray told the crowd, reports Chinese Radio International, “but what hasn’t changed and will hopefully not change is the presence of Chinatown as an important cultural center here in the District of Columbia.”

Check out these Flickr photos of the parade by local photographers Glyn Lowe, Victoria Pickering and Russell Brammer: 

 

FILED UNDER: Culture, Delightful City, Chinatown
November 2, 2011 | 3:01 PM | By

Rare Photos Capture 1968 D.C. Riots

The D.C. riots that erupted in the wake of the 1968 Martin Luther King, Jr. assassination resulted in more than 1,000 burned down buildings, dramatically changing the District’s landscape. Such damage altered the course of the city’s development, and the riots are still brought up in current discussions over gentrification and revitalization.

But exactly how did the city look during the four days of rioting? Yale University has released a collection of rare negatives documenting the riots and the government response. They were taken by part-time Associated Press photographer Alexander Lmanian, and the images he captured show soldiers mobilizing in D.C. streets, people looting and damaged storefronts. See our gallery below:

FILED UNDER: History, 1968 Riots
October 28, 2011 | 7:00 AM | By

‘We’re a Culture, Not a Costume’ Raises Halloween Debate (Poll)

Is it racist to dress up as a Mexican for Halloween? Yes, according to a group of Ohio University students who launched the “We’re a culture, not a costume” campaign now gaining national attention.

Sarah Williams, president of the Ohio student group STARS, said on CNN: “During Halloween, we see offensive costumes. We don’t like it, we don’t appreciate it… The best way to get rid of stereotypes and racism is to have a discussion and raise awareness, which is what we want to do with this campaign.”

Why is it problematic to dress up as a Mexican for Halloween? Jelani Cobb, African studies professor at Rutgers University, explains to CNN:

“To treat a character like Batman or Superman as a Halloween costume is one thing, but to treat an entire ethnicity as a costume is something else. It suggests that people conflate the actual broad diversity of a culture with caricatures and characters.

But not everyone agrees; negative comments flooded Melissa Sipin’s blog, which first reported about the campaign on Sunday before national media took note. Critics feel the campaign is a hyper-sensitive reaction to people who simply want to have fun on Halloween, a time to relax and check all the seriousness at the door. Sipin responds to such critics:

This poster campaign isn’t about being overly sensitive to costume choices, it’s about perpetuati­ng prejudices and negative stereotype­s through these choices. All we’re asking people is to stop perpetuating those prejudices and to realize that you’re crossing a line when you strap fake bombs to your chest to portray a Middle Eastern man or if you paint your face black.

What do you think of the question raised by the posters? Take our poll:

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FILED UNDER: Media, Halloween, Race
October 14, 2011 | 8:00 AM | By

A Look Back: Lincoln Theatre and Black Broadway

By Mary-Alice Farina

The Lincoln Theatre is approaching its 90th anniversary as a cultural beacon of the U Street district. But impending closure threatens to break an important chain in D.C. history.

The theater opened in 1922 at 12th and U Streets, at the height of the racial ghettoization of D.C. Although the District outlawed Jim Crow laws in 1917, segregation became a reality in D.C. Racially restrictive housing covenants and Depression-era laws ended up restricting housing and services to non-whites in certain neighborhoods.

In the face of this, U Street evolved into Black Broadway, an inimitable nexus of businesses, civil institutions, entertainment venues and homes. The area first experienced a boom after the Civil War, as thousands of new residents moved from the south. Between 1900 and 1948, U Street proved a vital epicenter for those suffering under the legacy of slavery.

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FILED UNDER: History, Black Broadway, Lincoln Theatre, U Street
September 28, 2011 | 10:59 AM | By

Finding Space to Create in Pricey D.C.

Courtesy of Bora Chung

Aaron Martin (left), Brandon Moses (middle) and Michael Andrew Harris (right) practice in Gold Leaf Studios.

Brandon Moses and Michael Andrew Harris, members of the band Laughing Man, met up at their studio space in a worn warehouse on a recent Thursday evening. Moses strummed his guitar and sang into the mic. Aaron Martin, who shares the studio with the band, joined in on his saxophone for an impromptu jam session.

Seemingly neglected, the vacant warehouse has been repurposed for just this sort of activity — for artists to create without concern of disturbing neighbors. Harris rapidly hit his snare drum without constraint. The music went through open window and spilled onto the Mt. Vernon street below.

But through that window, you could see the new high rises across the street, a sign of D.C.’s healthy real estate market. And soon, the warehouse — home to Gold Leaf Studios — will be replaced with a $57 million, 11-story mixed-used complex. About 30 artists who work out of 11 Gold Leaf studios will have to vacate by January 2012.

“Obviously they’re going to make a lot more money,” Harris, 31, said. “We’re just artists paying a couple of hundred dollars for the space.”

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FILED UNDER: Culture, The People, Gentrification, The Arts
September 26, 2011 | 1:18 PM | By

Fiesta DC in Photos

So much happened over the weekend in D.C. that you may have missed out on Sunday’s Fiesta DC. Luckily, local photographer Pablo Benavente was on the scene and captured these great images of the parade (see more here).

The annual event showcases cultures from all around Latin America. It took place in Mount Pleasant, one of the centers of D.C.’s Latino community. The District’s Latino population is growing, mostly due to an increased presence of Central Americans.

 

FILED UNDER: Around the City, Culture, Fiesta DC, Latinos
September 20, 2011 | 10:08 AM | By

As Business Closes, Owner Looks Back at Decades on H Street

George Butler is closing shop after nearly five decades. His men’s clothing store, George’s Place Ltd., is an H Street NE institution, one of the longest-running businesses on a corridor now synonymous with gentrification. But the recession, online competition and H Street streetcar construction led him to call it quits.

The 73-year-old managed clothing stores on the street in the 1950s before opening his store in 1968.

“I saw a future in H Street and my being in the neighborhood, I knew a lot of my customers,” he said while sitting in the back of his store on a recent afternoon. Hats and shoes lined the walls, along with 50 percent off signs.

Through it all, he’s had a front row seat to all the ups and downs of the corridor: from the heyday when  it was “it was like Connecticut Avenue, like downtown,” to the 1968 riots. “I’m a vet, and I saw things I never saw in the war,” he recalled of the riots. “The street was unreal. Fires were everywhere. It was just burning down.”

The riots marked the commercial decline of the street, beginning decades of empty storefronts. “People left and never came back,” Butler said.

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FILED UNDER: History, The People, Gentrification, H Street NE, Small Business