At the end of the month, one of D.C.’s last large DIY spaces will close, putting out dozens of artists. It will be replaced by a $57 million development. Washington City Paper has this excellent write-up chronicling the history of Gold Leaf Studios and the artists it hosted:
For well over a decade, Gold Leaf’s 12 studios have housed legion creative types like [Durkl creative director Will] Sharp. And while Gold Leaf attracted packed crowds and scattered media attention over the years as its art parties grew notorious, its more important legacy is simply as a cheap, spacious place for folks to do their work. “There are happy artists here over 50 that come in at night and paint,” says Sharp. “Artists, welders, sculptors, musicians, and jewelers all under one roof is kind of an oasis for someone like me.”
Although Gold Leaf Studios was never intended to be permanent, its sale and closure come at a time when D.C.’s housing prices are rising. There’s been a recent, ongoing discussion over whether D.C. has become too expensive for artists to create and live. (Noticeably absent from the discussion is how go-go, a D.C. music genre, is increasingly being relegated to cheaper suburbs).
Slate’s Matthew Yglesias writes, “I don’t think it’s a coincidence that the city was probably more culturally influential during its mid-eighties quality of life nadir than it is today as a richer-but-prohibitively expensive city.” That’s when D.C. gave birth to groups like post-punk band Fugazi.
Fugazi founding member Ian MacKaye stopped by WAMU 88.5′s offices last week to discuss an online archiving project on The Kojo Nnamdi Show. We caught up with him afterward to get his thoughts on D.C., art and gentrification.