What:

When: 6 p.m., Saturday

Where: The Lincoln Theatre, 1215 U St. NW

Cost: Free, but you should register here.

Why you should go: The debate is just one of a number of D.C. Emancipation Day activities taking place throughout the week (the actual day is on April 16). The event is a callback to the Lincoln-Douglas debates of 1858, a series of seven debates that took place between then-Republican Senate candidate Abraham Lincoln and incumbent Sen. Stephen Douglas. Slavery loomed large in those debates.

D.C.’s “Great Debate” will focus on issues affecting today’s black community, such as unemployment, the economy, healthcare and the 2012 presidential race. Panelists include Michael Eric Dyson, activist Rev. Al Sharpton, author Julianne Malveaux and Republic political analyst Joe Watkins.

Other events to consider: Seven major Asian American poets, writers and playwrights will present new work on Saturday at the National Portrait Gallery as part of “Asian American Portraits of Encounter Between Image and Word.” The new writings were commissioned as a response to the museum’s first major exhibition of Asian American visual artists. Tours of the exhibit start at 11:15 a.m., and the readings start at 12:15 p.m. The day will also include panels and book signings.

PBS NewsHour / Flickr

The Martin Luther King Jr. Memorial in D.C.

Today marks the 44th anniversary of the assassination of Martin Luther King Jr., a day that shook a nation and forever changed D.C.’s landscape. The riots that erupted in the wake of King’s killing devastated many D.C. neighborhoods, which were left economically depressed for decades. That environment set the stage for present day gentrification.

Rioting after King’s assassination lasted for days in D.C., where initially peaceful gatherings turned violent. People looted businesses and more than 1,000 buildings burned to the ground. A curfew was put into place. Ben’s Chili Bowl on U Street was one of the few businesses that remained opened through the riots.

In the video below, Ben’s Chili Bowl cofounder Virginia Ali and others recall D.C. during the riots. They also talk about how Ben’s survived the aftermath of the riots and then weathered gentrification. Ben’s is one of the oldest businesses on U Street and is now a bonafide D.C. landmark.

At the end of the video, Virginia Ali says, “What has been most interesting and most satisfying for me, is to go into the Chili Bowl and see people from all walks of life: the rich, the poor, the intellectuals, those who haven’t gotten very much education.” It runs the gamut, she says, including people of all races, and seeing such diversity has “just been wonderful. I think that’s what the world should look like.”

Video by Lauren Schneiderman, Zoeann Murphy, Pam Kaplan, Rachel Lincoln and Aurora Lutty

That’s the thread chased by filmmaker Shukree Hassan Tilghman, the man behind “More Than A Month,” a documentary exploring the roots of Black History Month and the debate over whether to end it. (The film is screening in D.C. on Feb. 26).

Black History Month began in the 1920s as Negro History Week, the brainchild of D.C.’s Carter G. Woodson. The purpose: to learn about the accomplishments of black Americans and their contributions to society. Tilghman appeared on WAMU 88.5′s The Kojo Nnamdi Show earlier this month when he said that as a child, Black History Month gave him a “sense of empowerment, a sense of pride:”

That only changed as I got older. And as I became an adult, I started to see sort of the same posters that would go up on the wall. The same four, five people sort of get trotted out. I’d see, you know, in my classrooms, people’s eyes sort of glaze over when Black History Month came on, you know, these sort of things that had nothing to do with African-American history that would be programmed on television or in the community.

Tamara Evans / Flickr

But others say that there’s still a need for such platforms, including Black History Month, since society is a long way off from incorporating marginalized groups into the mainstream. As Newsweek and The Daily Beast reporter Raina Kelley writes:

Woodson’s aim was also to rebut the inaccurate and insulting stereotyping that then passed for knowledge about African-Americans—such as the canards that black people aren’t as intelligent as other races and are more prone to criminality and dancing. And sadly, nearly 100 years and a civil-rights movement later, too many people still believe that.

What do you think about the topic? Take our poll:

Leo Reynolds / Flickr

Last week we wrote about the ongoing debate over whether “black” or “African American” is the preferred term among black Americans born in the United States. A 2011 The Wall Street Journal/NBC poll showed that 42 percent of respondents preferred to be called black, compared to 35 percent who went by African American and 13 percent who said it didn’t matter.

We noted some complexities within this debate — what about African immigrants, non-black Africans and second-generation Americans with roots in Africa? A number of you with similar backgrounds chimed in to offer thoughts on what you preferred to be called, and how you’ve navigated racial identity in America.

Commenter Frenchie wrote she prefers to be called “Haitian-American:”

I prefer not to be called African-American because it doesn’t  correctly encompass my history or background. Additionally, there  continue to be tensions between “member of the African diaspora, “exotic” blacks  and African-Americans  “regular” blacks. That often painful and tense history continues to prevent black immigrants from feeling as if African-American can ever be an all-inclusive term and, thus, makes “black” our default.

Some readers were unsure of what to call themselves, such as commenter Cia0912:

Pruitt Allen / Flickr

The quote on King’s statue currently reads, “I was a drum major for justice, peace and righteousness.” It’s a paraphrased version of this longer quote, from the end of his “Drum Major” speech:

If you want to say that I was a drum major, say that I was a drum major for justice. Say that I was a drum major for peace. I was a drum major for righteousness. And all of the other shallow things will not matter.

Some, including poet Maya Angelou, have criticized the paraphrased version, saying it makes King sound arrogant. The monument’s architect says the existing stone can’t be matched and changing the quote “would essentially deface the monument,” reports WAMU 88.5′s Elliott Francis.

Do you think the paraphrased version should be changed, or should the NPS leave the memorial alone? Vote below:

Courtesy of Our City Film Festival

"Fly By Light" follows 15 D.C. students as they leave the city for the West Virginia countryside for the first time.

What: Our City Film Festival.

When: Saturday and Sunday. Check the festival’s website for exact times.

Where: The Goethe Institute, 812 7 St. NW.

Cost: Tickets cost $10 per film.

Why you should go: The film festival screens films that take place in the District, showcasing the diversity of D.C. DCentric readers may be interested in seeing: “The Vigil,” which follows a Pakastani classical dancer who returns to her homeland from her adopted home in D.C.; “A Monument for Martin Luther King, Jr.,” a video essay on the King memorial and the role of memorials; and “Fly By Light,” a documentary-in-progress following 15 D.C. students who, for the first time, leave the city for the countryside of West Virginia.

Other events to consider: The National Park Service is celebrating the birthday of Frederick Douglass, who lived in D.C., with a full program of speeches and music. The free event takes place 10 a.m. to 4 p.m. at his home (now the Frederick Douglass National Historic Site) at 1411 W St. SE.

Sean Ganann / Flickr

The Carter G. Woodson mural is on 7th Street NW.

What: Black History Month Family Day

When: 11:30 a.m. to 3 p.m., Saturday.

Where: The National Portrait Gallery’s Kogod Courtyard at 800 F St. NW.

Why you should go: Family-friendly and free activities will be held throughout the day to celebrate the start of Black History Month. There will be art workshops, music performances and a photo booth.

Other events to consider: The DC Public Library’s annual Black Film Festival begins Tuesday, with films each week focusing on the role of black women in American history and culture. Films screen weekly at 3 p.m., Tuesdays at the Martin Luther King Jr. Memorial Library at 901 G St. NW.

Courtesy of St. Augustine Catholic School

Students singing at St. Augustine, a school founded by free blacks and former slaves in 1858, and continues to thrive to this day.

Relations between the African American community and recent African arrivals have been tense at times. That was on display during a 2005 debate over whether to officially rename a corridor in Shaw, a historically black neighborhood, into “Little Ethiopia.”

But the history of African Americans’ struggles and triumphs also resonate with some of D.C.’s black immigrants. In a WAMU Metro Connection story about St. Augustine Catholic School, which was founded by African Americans before the Civil War ended, reporter Jessica Gould speaks with current student body president Lello Negera: “I’m from Ethiopia. I came here in 2003,” Negera tells Gould. “When I learned the history of the school, it made me realize how special this school is and how hard the people fought for us to go to school.”

About 200 children attend the school. The school is predominately black but a number of students hail from other countries.

Friday’s entire Metro Connection show was devoted to how race and ethnicity affects the D.C. region. You can find all of the stories here.

Frederick M. Brown / Getty Images

What: Singer, actor and activist Harry Belafonte book talk.

Where: Busboys and Poets, 14th and V streets, NW.

When: 5 p.m., Sunday.

Cost: Free.

Why you should go: Belafonte is one of the most prominent celebrities-turned civil rights activists of the 20th century, and he has plenty of stories to share, from his role in the March On Washington to popularizing Calypso music. Belafonte, who appeared on WAMU 88.5.’s Kojo Nnamdi Show last month, will discuss his new book, “My Song: A Memoir.”

What:

Where: Artisphere, located at 1101 Wilson Blvd., Arlington.

When: 6:30 p.m., Saturday.

Cost: Tickets cost $20.

Why you should go: Sulu DC aims to provide a space for Asian American and Pacific Islander artists of all stripes to present their works and raise issues relevant to their communities. The anniversary show will feature poet Regie Cabico, beat boxer Chip Han and the J. Pharaoh & the Manhattan Project band.

Other events to consider: The National Mall is sponsoring “African American Life on Pennsylvania Avenue,” a ranger-led walking tour exploring the role of African Americans in the history of the nation’s capital. The free tour begins at 2 p.m., Sunday at Freedom Plaza.