tunnelarmr / Flickr

Dancers representing the Virgin Islands participate in 2008's D.C. Caribbean Festival.

After weeks of speculation as to whether D.C. Caribbean Carnival will take place because of financial woes, the show will go on. Well, sort of.

The parade that typically marches down Georgia Avenue won’t be in D.C. this year. Organizers announced that the D.C. event will join with Baltimore’s annual Caribbean Carnival/Festival for a parade taking place July 14 at Baltimore’s Lake Clifton Park.

D.C. Caribbean Carnival usually holds a Pan Jam, with steel bands and costume judging. That will take place in Bladensburg, Md. during June 23 and 24, the original date of the festival.

The annual parade has been cited as a boost for businesses up and down Georgia Avenue, many of whom protested last year when the route was cut short (again, due to financial troubles).

LollyKnit / Flickr

Restaurants around D.C.’s unofficial “Little Ethiopia” have been experimenting lately, hosting everything from rock bands and comedy nights, to serving macaroni and cheese instead of injera and tibs. It’s all been part of an effort to stay competitive and alive in the midst of a struggling economy.

So, is it working? Maybe so, at least for Queen Makeda. The restaurant switched over to American fare and has been holding hip hop nights and hosting bands. It’s been so successful that the restaurant now needs more space. This weekend will be Queen Makeda’s last night at 1917 9th St. NW. The restaurant is closing with plans to reopen in a bigger space in the neighborhood.

“There’s definitely a niche in D.C. for what we do,” said Queen Makeda bartender Jeremy Quarless-Cole. “You have to [change] in that area, simply because there are so many Habesha restaurants serving the same food.”

Perhaps there’s still a healthy market for Ethiopian food in D.C. Just not when it’s all concentrated within a few blocks.

Brandon Nedwek / Flickr

A weekly drum circle has been decades-old a mainstay in the park called Meridian Hill by some, and Malcolm X by others.

D.C.’s big, popular park off of 16th Street NW has two names. Sort of. Some (including the National Park Service) call it Meridian Hill Park, while others (including many residents) call it Malcolm X Park.

There was a move to rename the park in the aftermath of the 1968 riots, but Congress rejected that proposal. Many still call it Malcolm X Park. Earlier this week, we asked our readers what they call the park, and why. Here are the results thus far from our poll, showing a split of opinion slightly in favor of Meridian Hill Park:

A number of you weighed in further, both on Twitter and in the comments section. For some, calling the park Malcolm X is a symbolic gesture, having to do with D.C. self-determination and also pushing back a mostly-white Congress rejecting a proposal from a black city.

Ms. T wrote:

Nahal Tavangar / @NahalTav

About 1,200 people attended the fourth annual Cherry Blast party in Anacostia.

Trapeze artists hovered above a crowd. A band played electronic music as green lasers flashed through the room. Nearby, people created silk-screened T-shirts, a video installation played against the wall and the crowd tossed a large, clear plastic bubble filled with pink balloons in the air.

The annual Cherry Blast event on Saturday night was in many ways a creative, warehouse party. It pulled together all sorts of artistic and musical spectacles that attracted a racially diverse crowd of 1,200 willing to pay $10 a ticket to enter.

But this party didn’t happen in Northwest or near gentrifying H Street NE. Cherry Blast, produced by The Pink Line Project, took place in a vacant police evidence warehouse in Anacostia, and drew attendees largely from other parts of town, many of whom were young and white.

Anacostia has a rich history, but in recent years the neighborhood has developed a reputation as dangerous and poor, a perception that local activists have been battling. It’s a mostly black neighborhood that doesn’t typically attract many white people.

Cherry Blast comes on the heels of Lumen8Anacostia, a weekend of art events and pop-ups held throughout the neighborhood. These events have given people, who normally don’t trek east of the Anacostia River, a reason to visit the neighborhood. But in doing so, they’ve raised questions about race and class.

Pink Line founder Philippa Hughes and her team organized the Cherry Blast event, the fourth in a series that’s taken place in various parts of the city, including its first year in Anacostia.

“I’ve really been interested in Anacostia in the sense that I feel like it’s on the cusp of becoming something, a place where people want to go,” Hughes said. “I like being in places that are changing, and becoming better.”

Cherry Blast differed from Lumen8Anacostia, which Pink Line was also a part of. Lumen8 was “very diverse and a more community-oriented event,” Hughes said, while Cherry Blast gets widely promoted, drawing people “who don’t have any idea of what Anacostia is about.”

But Hughes didn’t throw Cherry Blast in order to put Anacostia on the map. “That’s one thing, and an important thing,” she said. “But what it’s about for me is showing that D.C. is more than politicians and lawyers. It also has a thriving arts and culture scene. Some of it is happening in Anacostia, and some of it [in other parts] of the city.”

There’s also a practical aspect to hold the event in Anacostia — D.C. has few, large spaces that can be converted for such uses.

Holding such an event in Anacostia can entail challenges. Most cities have lines, places where people are told not to go unless they’re from the area. As development and demographics shift in D.C., so do those lines. And perhaps art events and parties like Cherry Blast can help change those lines, too.

To make it easier to get across the river, Pink Line charted yellow school buses running from Dupont Circle and the H Street corridor. Taking a bus that drops you off directly in front of a party in a warehouse doesn’t provide many opportunities for interaction with the people and businesses in the neighborhood. But some who attended Cherry Blast forsook the charted buses in favor of the Metro, including first-timers to the area, who walked approximately half a mile from the Anacostia Metro station to the warehouse.

Iris Ho, Lan Nguyen and Michelle Wang rode Metro to Cherry Blast. On their walk to the warehouse, someone in a car rolled down his window and said to them, “Aren’t you guys scared? You’re in the hood.” Nguyen, of Columbia Heights, laughed, saying, “Well, I wasn’t.”

The trio said they recognized that they may seem out of place in the neighborhood.

Abigail Williams of Adams Morgan admitted that she “was a little nervous” coming to Anacostia at night.

“But once you’ve been somewhere, then you feel a lot better,” she said. Now she’s planning to return to the neighborhood during the day so she can check out the remodeled Anacostia Library.

People really only go places because they have a reason, whether it’s work, friends or attractions. Nikki Palmer of Bloomingdale made her first visit to Anacostia to attend Cherry Blast. She said that she and others she knows don’t typically come east of the river because nothing has drawn them there yet. She’s heard for years to avoid Anacostia, but it’s “a stigma that I’m losing now.”

Such perceptions are something that Michael Shank of Anacostia tries to tackle. A towering white man, he moved to the neighborhood 2 years ago, partially “to challenge myself both with the race and class issues that D.C. has not resolved,” he said. He’s found an incredible sense of community in the process. Shank now tries to get his friends to visit, but it’s not easy.

“There is such a psychological barrier,” Shank said over a DJ playing blaring music at Cherry Blast. “That barrier is broken for a brief bit with these events.”

Getting that barrier to come down more permanently is another, and more complicated, undertaking, he added.

Sense of place?

Rishi Chakrabarty of Mount Pleasant comes to Anacostia regularly for soccer practice. “You can’t get a sense of Anacostia by being here,” he said of Cherry Blast. Nearby, a singer performed from inside of a massive art installation.

“I feel ambivalent about it being in Anacostia,” Nguyen said. “It’s not that people from around here are all coming to this event.”

“It’s the yuppies in D.C.,” added Wang.

There were some Anacostia locals were in the crowd. Anacostia resident Willy Hamlett, who assisted with the event, said that such happenings are ways to “open the neighborhood up to different types of people.”

Although it’s good that Cherry Blast brought newcomers to the neighborhood, more importantly for resident (and Congress Heights on the Rise blogger) Nikki Peele is what the event offered Anacostia residents.

“The real win is it brings people who are from the neighborhood and gives them something to do,” she said. “… It makes no sense and it concerns me when myself and my neighbors have to get in a car or take the Metro to go across town in order to do the things we want to do.”

In the beginning of the night, all-female Brazilian drumming group Batalá Washington performed. Shank said a number of kids he recognized from the neighborhood showed up and danced along to the music.

“Here’s an opportunity for engagement, for interacting with the community. Let’s build on that,” he said. “It’s a starter.”

Images courtesy of Nahal Tavangar (@NahalTav).

What:

When: 6 p.m., Saturday

Where: The Lincoln Theatre, 1215 U St. NW

Cost: Free, but you should register here.

Why you should go: The debate is just one of a number of D.C. Emancipation Day activities taking place throughout the week (the actual day is on April 16). The event is a callback to the Lincoln-Douglas debates of 1858, a series of seven debates that took place between then-Republican Senate candidate Abraham Lincoln and incumbent Sen. Stephen Douglas. Slavery loomed large in those debates.

D.C.’s “Great Debate” will focus on issues affecting today’s black community, such as unemployment, the economy, healthcare and the 2012 presidential race. Panelists include Michael Eric Dyson, activist Rev. Al Sharpton, author Julianne Malveaux and Republic political analyst Joe Watkins.

Other events to consider: Seven major Asian American poets, writers and playwrights will present new work on Saturday at the National Portrait Gallery as part of “Asian American Portraits of Encounter Between Image and Word.” The new writings were commissioned as a response to the museum’s first major exhibition of Asian American visual artists. Tours of the exhibit start at 11:15 a.m., and the readings start at 12:15 p.m. The day will also include panels and book signings.

Zain Shah / Courtesy of Dana Tai Soon Burgess & Co.

Katia Chupashko performs in "Becoming American," about being a Korean child adopted by white Americans.

What: Dana Tai Soon Burgess & Co. spring dance performance.

When: 8 p.m. Thursday and Friday.

Where: George Washington University’s Dorothy Betts Marvin Theatre (800 21st St. NW).

Cost: Tickets range from $15 to $25.

Why you should go: The contemporary dance performance focuses on identity and the Asian American experience, including a piece that tells the story of a Korean child adopted by white American parents and how Asian Americans live as “hyphenated” Americans.

Alex Lee / Courtesy of HarperCollins

Baratunde Thurston is author of the new book, "How to Be Black."

What: A book reading by Baratunde Thurston, author of “How to Be Black.”

When: Doors open at 6 p.m., and the event starts at 7 p.m., Thursday.

Where: Sidwell Friends School’s Quaker Meeting House at 3825 Wisconsin Ave. NW.

Cost: Free.

Why you should go: Thurston, a comedian, social critic and digital director for The Onion, grew up in D.C. In his new book, “How to Be Black,” Thurston uses plenty of humor to touch upon the complexities of growing up black in America, with the District as a backdrop. He also writes about growing up in Columbia Heights before it was gentrified.

Lia / Flickr

A haft sin, or traditional table setting, was on display at last year's Freer and Sackler Galleries Now Ruz event.

What: Now Ruz, or a Persian New Year celebration

When: 11 a.m. to 5 p.m., Sunday

Where: Freer and Sackler Galleries at 1050 Independence SW.

Cost: Free, although some of the musical performances require free tickets. The food is available for purchase.

Why you should go: The annual event is held weeks before Now Ruz, or Persian New Year, an ancient festival. The museum will offer typical Persian New Year activities and attractions, including fire-jumping and traditional “haft sin” table displays, as well as classical and contemporary musical performances, photo booths and Persian food.

Courtesy of Atlas Performing Arts Center

Srishti Dances of India will perform 7 p.m., Saturday. Multi-generational artists will stories of the immigrant experience.

What: Intersections: A New America Arts Festival

When: Thursday through March 11.

Where: Atlas Performing Arts Center

Cost: Ticket prices vary by show, but there are 30 free performances.

Why you should go: The third annual festival, with more than 150 performances, aims to present a variety of art forms, such as  music, dance and theater, that connect audiences of diverse ages, races and cultural backgrounds. Performances include youth tap dancers, live storytellers and French-Vietnamese jazz guitarists. Some shows will be followed by discussions between artists and audiences, a space that allows for cross-cultural conversations.

We’ve previously explored the debate over the need for a Black History Month and whether there’s still a need to focus on black history. President Barack Obama attended today’s ceremony, saying “this day has been a long time coming” and that the museum will remind and inspire visitors of “how ordinary Americans can do extraordinary things.”

Below is a photo of President Obama with First Lady Michelle Obama at the ceremony, standing during the national anthem, flanked by a solider in the front.

Saul Loeb / AFP/Getty Images

President Barack Obama and First Lady Michelle Obama stand for the National Anthem during the groundbreaking ceremony for the Smithsonian National Museum of African American History and Culture on the National Mall.